Writing in and about Edmonton: Capital City Press Book Festival with Edmonton Public Library

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This weekend the whole fam will be participating in our city’s annual food drive.

Next weekend I’ll be at two separate, very different writing events.

The first is an event at the University of Alberta where I’ll be sharing some translation I’ve done of Lu Xun’s early modern Chinese writing. Yeah, it’s not everyone’s idea of a fun Friday night.

However, the second event of the weekend is a panel at the Capital City Press Book Festival with the Edmonton Public Library. The library’s downtown branch plays a part in the story and the sense of my latest novel so I’m very excited to be working with them in real life. Always wanted to write something set in an unusual city? Come let a panel of authors, including me, talk you into it.

Details here

Reelin’ With the Feelin’, or, Giving My Books Away

LIttleFreeLibraryThe world of book marketing is fairly straightforward: the more money a book has behind it, the better it tends to sell. Does that sound cynical? Maybe, but it’s also evident in industry practices like giveaways for newly released books on the Amazon-acquired mega social network for readers, Goodreads.com. Not that long ago, during the heavy marketing phases of my first two novels, anyone could post a book giveaway on Goodreads and hundreds—hundreds—of people would see that book, look at its cover and title, read its synopsis, maybe even the author’s name, and add the book to their to-be-read list in exchange for getting a chance to win a free copy. All it cost publishers and authors, big or small, was the wholesale price of the book, and postage. But by the time my third novel was published, Goodreads was charging hundreds of dollars to give away books on the site. Isn’t that nice? It’s great to see big, well-funded enterprises sticking together.

Like I said, the big marketing pushes for my first two novels have passed. The books are still in print but settled into my publisher’s back catalogue, a place without room for all of the remaining printed inventory. Some publishers would just “pulp” these excess books but mine offered to give them to me as long as I paid to have them shipped across the country. The shipping bill was in the two-digits so I agreed, and for the past few months, the storage room in my basement—the cold room—has been a crypt for overstocked books. Talk about being haunted…

Well, you know what? I don’t need to hoard these books and I don’t need permission or money to give them away. With a new novel to promote, what better ad could there be for it than a bunch of freely available copies of my previous work?  And so I spent today driving all over the Edmonton area sniffing out Little Free Libraries. They are adorable little cabinets, or repurposed newspaper boxes (look at that, newspaper infrastructure doing something for book culture again), and even one salvaged doll house set up in cafes, parks, and private citizens’ front yards. The rules of the Little Free Library system are simple: take a book if you want to read one. Be courteous, take good care of it. Don’t use it to balance a table or roll a smoke. Ideally, leave another book in its place or bring it back when finished.

I hit every Little Free Library I could drive to without seeing any cows. When I travel to Calgary later this week, past so many cows, I will hit some more LFLs there—slide my book in between all those copies of Animorphs and the fragmented works of Stephenie Meyer (her Breaking Dawn appears most often). If it turns out the LFLs are somehow centrally catalogued and controlled, I expect a cease and desist order soon. Until then, I’ll keep placing my books, like messages tossed out in bottles, because we all know that’s better than reaching no one.

But my giveaway madness isn’t limited to the domains of cabinet-making-book-swapping-LFL librarians I’ve never actually met. It’s also for all of you, my dear friends. Purchase my new novel from me and get my first two books as a free gift. Or don’t buy anything. The gift is still free. Message me and it’s yours.

Launches in Edmonton and Montreal

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Many thanks to the dear people who have given their time and energy to help me celebrate my new novel, The Apocalypse of Morgan Turner. As always, Audreys Books of downtown Edmonton hosted a launch in their basement (a good space for events if not for photos, Ha!) and I got to travel to Montreal to be part of the Linda Leith Publishing launch of its spring season at the Metropolis Blue International Literary Festival. Unlike my first book trip to Montreal, I had a traveling companion this time, my middle son who has been in French immersion education since he was six years old. Good news: it worked!

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Announcing My New Novel Deal For Spring 2018

I signed a contract today with Linda Leith Publishing of Montreal for the publication of my third novel in Spring 2018. LLP published my first two novels as well and I’m happy to be working with them again. We’re currently in the revision stage of the process and the title is part of what’s under revision so I’m not able to announce it yet. I can say that the book is set mostly in contemporary western Canada and looks into a family grappling with the absurdity of the normalcy of violence, tragedy and evil in human life after one of three siblings is killed in a domestic homicide. I love it and will bring it to you by Spring 2018.

Anthologies Are the Friendliest Literary Form

My Name — Among Way Cooler People’s — on the Back Cover of “40 Below”

Last year, a piece of my short non-fiction was included in 40 Below: Edmonton’s Anthology of Winter.  As always, I was thrilled to get the gig.  The book was released three months after my novel’s debut and it turns out to be the gig that keeps on giving.  It helped introduce me — a little hick in the sticks — to the big city Edmonton literary scene.  It got me invited to some cool events (most of which I couldn’t attend because of the winter weather — is that irony?) and also got me a slot in the podcast series produced to accompany the anthology.  Here’s a link to me and editor/writer/nice guy Jason Lee Norman celebrating the book writer-style — locked in a little room.

Jennifer Quist’s 40 Below Interview and Reading