Final Post Before Moving House: On Depression and Sadness

My house from the creek-bed below it.

My house from the creek-bed below it.

With less than a week before my family moves house — leaving the town we’ve lived in for eight years, longer than I’ve lived anywhere, ever in my entire life – I’m feeling kind of depressed. I love this place.  I love my friends here. I love my kids’ friends. I love the atom football team. I love the trees we raised from saplings. It makes sense to be sad about a departure from a happy hometown. As one of the characters in my novel says, “I’d be more worried about my state of mind if something like this failed to upset me.”

So this is not a confession of an artist speaking frankly about her troubled mental health. That artist is real but I am not her. While I’m definitely feeling depressed today, it’s not the same thing as having the disease of depression.

When it comes to mental health, I’ve got nothing to complain about. It’s not because I’m smarter or better than people who do have valid complaints. I think it might be little more than an endowment from my mother –an ability to shout or cry away bad feelings before they settle in for torturous long-term engagements.

Even so, I do get sad. Over my lifespan, I’ve probably lost months-worth of sleep to grief and worry. My personal best record for uninterrupted crying exceeds three hours. One summer, my daily routine included standing alone in my garage painting boards for the epic fence we were building, quietly weeping over them.

None of this was depression. It wasn’t an illness. It was a reaction to well-defined, acute stress and tragedy. It’s like the difference between bruising for a few days after bashing a knee on something and bruising maybe until death because there’s something fundamental missing from the blood that keeps it from clotting.

With the recent death of a famous entertainer, a lot has been said about depression as a dangerous disease. All of that needs to be said. Depression is still far too stigmatizing. I have a close friend who suffered depression after each of her kids was born. She still worries someone will find the medical records of her diagnosis and medication and use the information as prejudice. “All your history of depression really shows,” another friend explained to her, “is that you were smart enough to go get treated for it.” She’s got nothing to be ashamed of and much to be commended for.

While not everyone suffers from depression as a chronic debilitating illness, everyone (except maybe, I don’t know, people with anti-social personality disorders) feels sad sometimes. Sadness is part of the human condition. It’s inevitable and normal. There is nothing strange or sickly about the sadness most of us encounter.

Here, in the middle of my move, I was talking with another friend who suffers from depression. She saw my mood was low and jumped to recommend treatments she uses when she feels herself falling – when her disease flares up. But I don’t have her disease. I don’t need to fight sadness as quickly or as fiercely as she does. I thanked her anyway. And above my pangs of healthy-person-guilt I was surprised to hear myself telling her I don’t mind letting myself experience a bit of my own sadness. It hurts but it doesn’t damage me. There’s value in it. I can trust I’ll survive it. My preferred treatments are patience and time, love and companionship, faith, music, food someone else has cooked, fresh air, and new things I discover every time circumstances demand my character adapt and change.

For people with severe depression, sadness can be, very literally, the end of the world. They need to fight it with heavy medical and social artillery and no one should fault them for it.

For the rest of us, sadness, deep at its core, is a horrible, putrid, unwanted gift. It’s okay to unwrap it and handle it. And no one should fault us for that – trying to convince us we’re deluded or unhealthy or callous when we take our sadness into our own hands to see what we can learn from it.

Sadness is part of our life stories. Its gift to us is our stories.

Because Camping is Actually Writing

Me, arriving at camp with a bit of baggage

Me, arriving at camp with a bit of baggage

Two decades without camping didn’t seem like too many to me. I love being outdoors but I crave a proper roof overhead when it’s time to call it a night.

Then, this winter, I was asked to take over as leader of a youth group for 30 girls ages 12 to 17. It’s a great gig. It tempers the Smurfette vibe I’ve cultivated living alone in a pack of men for the last nineteen years. I’m honoured and happy to be there.

Still, I spent the spring dreading our youth group’s traditional annual camping trip. Fortunately, some of my fellow leaders are skilled, enthusiastic campers. They took over. My camp role was to sign off on expense claims, make a few rousing presentations, offer hugs to the homesick, and not sabotage the whole thing with my incompetence.

It was a simple role but I fretted anyway. What might have been more daunting than whatever challenges awaited at camp were the challenges I’d leave behind at home. Not getting things done can be just as hard as getting things done. My family is in the middle of moving house. It’s not a great time for me to flee into the wilderness. In order to take the girls camping, I left my house unpacked and unsold, left my kids, left a chance to see my commuter husband who was traveling home to stay with them. And, I left my second novel in the process of an intense unfinished edit.

For me – and probably for other writers who finish manuscripts – there’s no such thing as taking time off simply because life is busy. Activity inspires creativity and the paradoxical truth is I sometimes work best when it should be logistically impossible for me to get anything done. This summer, while single-parenting my five sons and trying to sell our house, I’ve written more, and more consistently than I have all year.

The prospect of my second novel is a bit terrifying. My first book has been well-received and part of its legacy is fear of a “sophomore slump.” I wrote the first version of my second novel before I’d found a publisher for my first book – before I knew who I was as a novelist. It was an experiment. The first version of it was plotty and funny and fairly glib. There were hardly any “that’s my soul up there” moments in it. It ate away at me a little – the secret that I didn’t love my second novel the way I love my first one. I liked it. But…

With this second book I have access to something I didn’t have when I wrote my first one. I have someone in the industry willing to read it and skilled enough to tell me what’s wrong with it. I knew the book was lacking but I couldn’t tell how or what to do about it. With good editorial feedback fueling my revision process, I hope I’m starting to understand.

The radical edits demanded I change something fundamental to the book – the title itself. Every time I opened the document I changed the title and every time I changed it, I hated it more and more.

campgroup

Me, when my hair was still clean, welcoming the campers

So I went to camp with my novel gutted, untitled. I went trusting my familiar paradoxes, sure a four day pajama party in the woods would improve everything unsettled in my life right now – maybe even my second novel.

Camp was fantastic. We should have called it “Camp Slacker.” There wasn’t much of a schedule, I kept driving the girls to the beach in the back of my pick-up truck, we stayed up all night every night, we never really stopped eating.

On the final morning of camp, I woke up underneath a brand new spider web, listening to music – not in my ears but in my mind. It was a song I hadn’t heard in a long time – one I first learned when I was a 16-year-old girl. It was Leonard Cohen’s “Suzanne.”

Now Suzanne takes your hand
And she leads you to the river…
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While Suzanne holds the mirror…

It’s unlikely LC was thinking of youth camp leaders working to convince young girls of their worth and power and potential – to “show them where to look among the garbage and the flowers” – when he wrote these lyrics. But art is sublime and it doesn’t matter what he was thinking. For a moment, the song was about me and my “children in the morning” – the ones born to other mothers but sent into the woods with me for a few days in hopes we’d all come to understand ourselves a little better.

Suzanne loads you in her pick-up truck, and she leads you to the river

Suzanne loads you in her pick-up truck, and she leads you to the river…

My second novel – the awkward one with no name – it’s always been about sisterhood. And in the early morning sisterhood of my first camping trip in over twenty years, the paradox worked its perfection and I think I learned what I will call the book.

Photos by Naomi Stanford