“Award-winning” at the Last Minute: I Am No Paul Henderson But…

My dad has shown me enough inspirational sports movies and documentaries for me to know it’s best to wait until right before the buzzer sounds at the end of the game to score a big goal.

That’s the way the literary awards season for my debut novel has unfolded. The book was released in August 2013 and I sat here quietly and morosely ticking off each of the season’s awards as their short-lists were announced without my name on them. I got to watch kind well-wishers saying it was too bad I was overlooked and while that went a long way in buoying my spirits, it didn’t give me and my novel any grounds to be called “award-winning.”

Near the end of the season, I was named on one shortlist but, while I appreciated the honour, the award was a bad fit for me and I didn’t win it.

Since it’s Fathers Day this week, I’ll tell the rest of the story with a Canadian hockey history analogy.  Let’s just say it was the final seconds of the third period of the literary award season…

“Henderson made a wild stab for it and fell”

… when I got a phone call…

“Here’s another shot right in front of the…”

…congratulating me on winning the 2014 Lieutenant Governor of Alberta’s Emerging Artist Award.

“Score! Henderson!”

It finally happened. I won the last award I was a contender for this year – scored on my last chance to claim the “award-winning” designation, right before the final whistle. Along with the rights to “award-winning” it comes with a prize, a medal, media coverage, and a fancy ceremony with His Honor. I’m one of eight recipients chosen from a wide range of artistic fields to get the award. I’ll find out who the rest of them are at 10am today at Government House in Edmonton.

I couldn’t be more pleased or more grateful to the board for selecting me. Yay!

 

[Thanks (and apologies) to hockey legends Paul Henderson and Foster Hewitt.]

Anthologies Are the Friendliest Literary Form

My Name — Among Way Cooler People’s — on the Back Cover of “40 Below”

Last year, a piece of my short non-fiction was included in 40 Below: Edmonton’s Anthology of Winter.  As always, I was thrilled to get the gig.  The book was released three months after my novel’s debut and it turns out to be the gig that keeps on giving.  It helped introduce me — a little hick in the sticks — to the big city Edmonton literary scene.  It got me invited to some cool events (most of which I couldn’t attend because of the winter weather — is that irony?) and also got me a slot in the podcast series produced to accompany the anthology.  Here’s a link to me and editor/writer/nice guy Jason Lee Norman celebrating the book writer-style — locked in a little room.

Jennifer Quist’s 40 Below Interview and Reading

Regional Bestseller!

Edmonton Journal’s Bestseller List, Nov. 15, 2013

Our book was number 5 on the Edmonton Journal newspaper’s list of best-selling fiction yesterday. It was fifth after the Giller Prize winner, two collections by the Nobel Prize winner, and a Giller Prize nominee. I am very please and extremely grateful to everyone who has ever picked up a copy of Love Letters of the Angels of Death. Enjoy!

Kleines Mӓdchen: Little Girls on a Book Tour

Reading on the Road

Reading on the Road

I never meant to cram a month’s worth of book promotion into seven days.  It just happened — an unforeseen consequence of good luck, good will, and good publicists.  I was so busy last week my kids actually noticed and mentioned how little time I’d been spending in my pumpkin shell.

I told them, “Look, I took a seventeen year mat-leave.  You’ve got nothing to complain about.”

Sure, it was a maternity leave full of freelance work and “will-you-just-let-me-finish-this” but I was here, in the house with them, for almost all of it.

The week started early Monday (because, that’s when it always starts) when I went into my closet — the room in the house most like a radio booth — and did a telephone interview with a talk-radio station in Edmonton.  It was a “top-line” interview meant to promote an appearance I’d be making in the city the next day.  It went well until the very last question.

“So,” Mr. Radio asked, “who’s taking care of the kids while you’re [in Edmonton]?”

Instead of musing, “You know, when my husband gets interviewed by the media, on the courthouse steps, no one ever asks him who’s looking after his kids,” I laughed it off.

“That’s their problem,” I told the interviewer.  “The oldest is seventeen so it’s Lord of the Flies over here when I’m gone.”

So far, no visit from Child and Family Services.

By bedtime that evening, I was gone.  I was at my sister’s house in Edmonton, getting ready for another “top-line” interview on the most terrifying of all media: television.  I haven’t watched television for years and I was scheduled to appear on a morning news show I’d never seen before.  What I remembered from TV was mostly how it’s been used to make “real” people look foolish and grasping.

In the morning, I got dressed while it was still dark — high black boots, skinny black pants, white top, black jacket.  Looking in my sister’s mirror, I finally saw it: I had subconsciously dressed myself to look like the black and white magpies on the cover of my book.

After a breakfast of Diet Coke with the coolest girl in Yellowbird Elementary School, I was on the freeway.  I got to the studio early enough to meet the other author being interviewed that morning.  In the green room was a man my age wearing a raspberry-coloured suit with a peach handkerchief tucked into the breast-pocket.  This was self-proclaimed over-dresser and Edmonton literary institution, Todd Babiak.  I thought I might run into him here.

“Don’t get nervous and start making fun of him,” one of my little sisters had warned me.  “That’s what I’d do.”

This was good advice.  It turns out Babiak isn’t a TV watcher either and we sat in the green room puzzling at the monitor on the wall as the program wound its way toward our segments.  He nodded at the anchor-lady on the screen.  “She’s actually read my book,” he said because, in a top-line interview, this is remarkable.

Left alone in the green room, I watched Babiak’s interview.  Of course, his raspberry suit had to be acknowledged on-air, just like my five kids at home had to be acknowledged on the radio on Monday morning.  The boys — they’re my raspberry suit.

Walking the hallway to the studio, I asked the producer with the pixie-cut hairdo, “There aren’t going to be any questions about who’s taking care of my kids, are there?”

She smirked.  “Any what?”

I told her about the radio station and we all scoffed together.  The anchorman who interviewed me was sweet in a clean-cut-captain-of-the-football-team kind of way.

I spent the rest of the day in the city, visiting family, calming the frick down before I went to a reading in a bookstore downtown.  The guests at this reading included some old friends I hadn’t seen in this century.  One of them reintroduced herself in case I’d forgotten her — which I certainly had not.  A wonderful thing about a book tour is the way it’s also a time machine.

After two days of massaging social media, the time came for another reading.  This one was closer to home, in the city my husband commutes to for work.  The Red Deer venue was warm and cozy and the time machine coughed out a long lost aunt and cousin.  There was a question from a woman — a fellow artist — who earnestly and innocently wanted to know how I “do it” with so many kids in my life.

I shrugged, “By being a crap mother, I guess.”  This might be my new pat-answer.  Put it right in the press kit.

fmroad

Get your kicks on Route 63

The last event of the week was the most ambitious one of all.  The person stepping out of the time machine this time would be me.  The  machine took the form of my black pickup truck — the kind they issue everyone crossing into Alberta’s borders.  I picked up my sister (the third sister in this story) and we went north, to Fort McMurray.

I’m no carpet-bagger, no oilsand opportunist.  For five years during the early 2000s, the city was my hometown.  I bought my first house, repaid my student loan, met bears, planted trees, and had two magnificent babies in the city.  An entire chapter of my novel is set in the Wood Buffalo region.  To get there, we drove for five hours — me boring the heck out of my sister with all my “Wow, this is so different.”  I alternated between, “I can’t believe all this is here” and “I can’t believe all that is gone.”  No matter what the Old Man says, the region is not Hiroshima.  It’s not a wasteland.  But it’s not like it used to be either.

In seven years, the city’s service industry hasn’t changed.  We arrived at 2:45 pm but we couldn’t get into our hotel room to change our clothes.  It was still a mess.  I’d be appearing in public looking like I’d spent the day in a pickup truck.  We hadn’t had a meal all day and we went to a fast food restaurant with milk and grease smeared all over the sky-blue tabletops.  This was familiar too.  The restaurant couldn’t hire enough staff to have anyone to clear the tables.  Customers go there knowing they’ll have to do it themselves.

At the event — a launch party for the latest edition of NorthWord: A Literary Journal of Canada’s North  I was invited to read first.  I chose the chapter set in the neighbourhood where I now stood reading.  And when I got to the part about the trees along the highway — the ones that now exist only in my imagination — I choked into the microphone.  Maybe it’d sound noble and Neil Young would pat me on the head if I tried to say I was having a fit of environmental conscience.  It wasn’t that.  It wasn’t the trees.  It was me.  There was some kind of awful longing rising in my throat with the words I read.  The whole time machine idea — it’s wrong.  This place that I love had moved on without me.  I was abandoned.  And I hadn’t even known it.

Part of the NorthWord event was in impromptu poetry contest.  The theme was contrast.  I jotted some lines and signed my sister’s name to them.  The poem was about the dirty tabletop at the restaurant.  It was silly and pretentious right down to the lines I wrote in German.  The judges got the joke and it won a prize in the contest.  But my sister was too embarrassed to let them announce it.  Fair enough.

Sister-Sleepover

Sister-Sleepover

When we were finally let into the hotel, we put on pajamas, got into one of the beds, put our heads together, and watched YouTube on my sister’s tablet — a sisters’ sleepover, just like old times, only not at all like old times.  Neither of us had wi-fi or a credit card or an ex-husband or a book to tour when we were little girls.

Still, those German words — the refrain from our winning poem — they were these:

Kleines Mӓdchen.

Return of an Edmonton Cleaning-Lady as an Audreys Author

The best thing about being from nowhwere is being from everywhere.

I lived in thirteen different houses by the time I moved away from my happy, nomadic family at age eighteen (only to have them move right along after me a few months later).  That counts as growing up everywhere doesn’t it?

When I made my first solo move, the place I went was Edmonton, Alberta.  Don’t know Edmonton?  It’s a metropolitan area of about a million people at 54 degrees latitude.  If anyone’s thinking, “That must be a pretty great city for people to put up with living that far north,” they’re right.   I went there to get an education at the University of Alberta.  I met my husband on Whyte Avenue, earned my degree, published my first guest column in the Edmonton Journal, and my two eldest children were born in Edmonton.  I was there for eight years — longer than I’ve lived in any city.  My Edmonton days were happy but not glamorous.  Most of the time, I lived in Strathcona walk-up apartments like this:

The Apollo Apartments, just off Whyte Avenue

The Apollo Apartments, just off Whyte Avenue

Even this place was only affordable because I worked as the resident manager and cleaning-lady. I don’t live inside the city limits anymore but if the weather is good, I can get to them in under an hour.  Edmonton is still one of my many hometowns — part of the everywhere I’m from.  In fact, several of the chapters of the book I wrote are set in city — University of Alberta campus, the High Level Bridge, Cloverbar Waster Transfer Station — all Edmonton.

This coming Tuesday night, I’m bringing my book home to Edmonton.

A few weeks ago, my novel was nicely reviewed by Edmonton Journal book columnist (and fellow newly debuted local author) Michael Hingston.  He called it, “A surprising, thoughtful and captivating debut that uses death to illuminate all that’s at stake in life itself.”

The good local review sets the stage for my author reading hosted by Edmonton’s indie bookstore mainstay, Audreys Books. (No, there isn’t supposed to be an apostrophe in the name.  It refers to more than one Audrey and is grammatically above reproach.)  Audreys is a place little girls slogging away at their Arts degrees, and young-mother-cleaning-ladies writing indignant guest columns keep in their minds as the setting for scenes from the futures they want for themselves.  The store is a landing-pad for Edmonton writers in traditional, book-length publishing.  I am beyond happy to be appearing there.

And since my publicist, Sarah, is a total animal, I’m getting right up in Edmonton’s face about my homecoming.  I’m doing a radio interview with talk radio station 630 CHED on Monday, Sept 23, at around 7:20am.  The morning of the reading itself, Tuesday Sept 24, I’ll be interviewed outside the safe, blind box of radio on television with the CTV Edmonton Morning show.  I’ll be on for just a few minutes at around 8:40am.  So crazy!  And if I botch it, remember that we must never speak of this again.

A Rush and a Push: The Making of a CBC Radio Piece

CBC Radio’s Sook Yin Lee, host of Definitely Not the Opera

If you’re ever in the Edmonton City Centre and you see a person sprinting past the stores and coffee shops, pounding over the hard tile floors, doing that funny, ginger stomp down moving escalators, either you’re witnessing the flight of a very bad shoplifter or the frenzy of someone late for a taping at the Canadian Broadcast Corporation studios located at the far eastern end of the building.

Last Friday, that CBC bound mall-sprinter was me.

It was the seventh time I’ve done work for CBC Radio.  Sure, the very existence of Canada’s public broadcaster is considered controversial by some and acknowledged as tenuous by just about everyone.  But for now, it’s still a functioning organization that treats its contributors with respect and class.  I’ve always enjoyed working with them.

My first CBC gig was with the Sunday afternoon spirituality and religion program, Tapestry.  I put on a big, foamy headset, leaned into a microphone and read an essay I’d written about my grandmother – an essay I eventually re-read at her funeral as an exhausted 30-year-old involuntarily fasting with grief.

The six other pieces I’ve done for the CBC have been for the Saturday afternoon story-telling magazine, Definitely Not the Opera (DNTO).  As my producer told me the first time we met, “DNTO is way cooler than Tapestry.”  That’s not to say none of my DNTO work will ever be part of a eulogy but it does tend to be lighter and less lyrical.

A DNTO piece isn’t supposed to sound like it’s being read.  There’s no script and no rehearsal.  It’s supposed to sound spontaneous and conversational.  But like my sister-in-law, a veteran on-air personality of the University of Alberta’s student radio station says, “The best off-the-cuff speaking is the kind that isn’t really off-the-cuff at all.”

She’s right.  And though I can’t make any pre-show notes, I can’t help spending the hour-long car ride from my house to the studio babbling to myself, ironically practicing sounding breezy and conversational. As I speed along the Alberta Autobahn, I compose and repeat the story to myself until the sad parts don’t make me cry and the stupid parts don’t make me sound quite so stupid and every extraneous “um” goes away.

I begin the trip convinced that, this time, I’ve left early enough that there’s no chance of me having to make that desperate, frantic dash from the crowded downtown Edmonton parkade to the studio at the far end of the building.  This time, I won’t be standing in the elevator, trying to catch my breath, aware that the producer is already on the line from Winnipeg, waiting for the hack freelancer to appear.  But it never happens the way I’ve planned.  The mad rush to the finish is just part of the experience for me, I guess – just another pre-game adrenaline spike.

The recording itself is the easy part.  DNTO pieces are personal stories and there’s nothing most of us are better at talking about than ourselves.  The producers prompt with questions and politely ask for clarifications.  The process takes about forty very pleasant minutes.

And from that forty minutes, the story is edited into a tight five minute item.  I’m always nervous during the editing process.  I’m not included in it.  The whole thing happens in a black box about a thousand miles away from where I wait for the results.  It’s not until I tune in my radio with the rest of the country on Saturday afternoon that I hear how my rambling story-telling has been carved up and digested.  The waiting and fussing — it’s scary.  But I haven’t been disappointed yet.

The CBC and I are on again this Saturday, March 30 2013 at 1:30pm.  Hope to talk to you then.

Until then, here’s something from the archives, a previous DNTO piece featuring me:

http://www.cbc.ca/player/Radio/DNTO/Warm+your+Cold+Heart/   Click on the link called “The Joy of Silence.”

UPDATE: The episode of DNTO I’m talking about above has now been posted.  Here’s the link.  It’s not a hardship to listen to a whole episode but if you’re my mom or something and you just want to get to my bit, it’s at about 38.5 minutes into the program.

http://www.cbc.ca/dnto/episode/2013/03/20/when-did-you-face-the-odds/

Acceptance Letter Day

The Forty-Below Project, coming November 2013

The Forty-Below Project, coming November 2013

I don’t think I’ve ever got an acceptance letter as long and thoughtful as the one I got this week from Jason Lee Norman’s “40 Below Project.”  Jason is putting together an anthology of stories and art about life in the city of Edmonton, Alberta during the winters. 

Don’t know Edmonton?  Well, I’m confident in saying it’s the only metropolitan area with a population of over a million people at this latitude or higher anywhere in the western hemisphere of this planet.  Sounds like a blast, eh?  A big, icy blast…

The project accepted my submission, a short bit of creative non-fiction called “Bleeders.”  There was some talk on Twitter about the vampire story someone submitted.  The title notwithstanding, mine was not the vampire story.

The 40 Below anthology is going to be produced in book form and it’s scheduled for release in November 2013.  Don’t worry, Edmonton should be well into winter by then.

http://www.40belowproject.ca/about/